“We wanted to shoot ‘Entre Nos’in solid state in HD because we were working with children actors, and we needed the freedom to have as many takes as necessary to get the performances just right,” Mendoza said. But when he abruptly abandons the family, she has to rely on her own imagination and courage - and that of her children (Sebastian Villada and Laura Montana) - to survive insurmountable odds during their first summer in the United States. Using a P2 card instead of tape to store video, the AG-HPX500 supports 32 HD/SD recording formats in both NTSC and PAL. When it comes to high definition television production, the Panasonic AG-HPX500 is a video crew’s best friend. The movietells the story of mother Mariana (played by Mendoza), who has toted her two children from Colombia to New York to indulge her husband's whim. Panasonic AG-HPX500 High Definition Video Camera.
![panasonic p2 hd ag hpx500 panasonic p2 hd ag hpx500](https://images.squarespace-cdn.com/content/v1/56aa8839d210b87f5bc616c5/1551896947149-WZWXEWUINPKISHG4XIBP/usedequipment_2019_2display.jpg)
Panasonic p2 hd ag hpx500 1080p#
Tagital Camera Camcorder, HD 1080P 24 MP 16X Digital Zoom Video Camcorder with LCD. The director of photography was Bradford Young. image 2 of Panasonic AG-HPX500 Digital Camcorder, 3.5 LCD Screen, 2. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD 136 minutes of DVCPRO 50 and 272 minutes of DVCPRO. The project also received backing from the Tribeca All-Access Program and a grant from Cinereach. The camcorder records on re-usable, removable P2 cards. The Panasonic AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre. The grant gave them the use of an HPX500, Fujinon lens, P2 media and AG-HPG10 P2 Gear to produce their screenplay. The AG-HPX175 is an ultra-mobile P2 HD handheld camcorder featuring full, 4:2:2 independent frame production quality HD and solid-state recording. “Entre Nos” was designated an official selection at the 2007 Independent Feature Project’s (IFP) Emerging Narrative Screenwriting Program, qualifying Mendoza and La Morte to receive a Panasonic/Abel Cine Tech Digital Filmmaker Grant.